Thursday 3 May 2012

Evalutation- Question 3

Evaluation- Question One

The title of the film is called ‘Penny’. We chose the title to be just a name because it meant we’re meeting the demands our genre, ‘psychological thriller’ because with it being just a name we anticipated the audience would start to think, who is penny? So it has a psychological approach. We also liked the idea of an integrated title. As we had seen a film with it and thought it would suit our film perfectly.

The setting and location we chose we originally agreed to have an oxymoron approach with it being really dark in his bedroom but have him out in the light to meet the conventions of a psychological thriller. After seeing the scene with him in the light we chose to get rid of that specific scene because it didn’t do anything to our play and we needed to cut down on the time because at this point we had filmed for over five minutes because we thought if we did loads of filming we could do a lot of editing but we soon realised we could only do a maximum of two minutes for our opening. Also it didn’t do anything for our film. The bedroom was used with the alarm clock set to wake him up at an early hour because we wanted to portray he has a structure to his lifestyle still.

Costumes and props- the costume that harry was wearing consisted of dull and dark colours to connote the fact he was dangerous, we had the clock to connote the fact he still had a structure, the alcohol on the window still you see if to connote he is isn’t 100% sane. He doesn’t like to feel in control of himself.
Laptop was used to portray the fact he is still looking for her and the camera we set up is so you can see him losing his temper at not being able to see her or find her and he doesn’t like the fact she isn’t interested in finding him. Tic-tacs were used as drugs to connote that being drunk isn’t enough for him to be out of his head. So clearly he liked not being able to think straight or even that.

Camera work and editing were done to at an independent’s film standard. So this meant hand held techniques were used. We used a tripod when tracking Harry when he walks to the bathroom. A high angle shot was pointing down at him when he does the monologue to connote he isn’t worth a lot whilst he is under the influence of drugs. The editing was continuous so the viewer isn’t confused because we had a lot going on in our opening without giving too much away so I think if we had split scenes, flash backs etc. It would have the audience struggling to keep up. It was fast paced. This was to connote he was rushing his life away with all the drugs and to portray the fact that when it starts to slow down when he runs out of drugs he can’t cope. Hence when he loses his mind with his outburst at the computer.

The title font was in a block capitals style on his hand. This was to connote the fact he is always thinking about her and it often that younger children who aren’t so mature tend to write on their hands. Well we thought to have the psychological approach by connoting he is immature which sort of gives hints before you see him taking drugs that he isn’t a very good dad. Taking drugs as such is a very immature thing to do. It’s written in big capital letters to connote that, which is exactly what is he saying his is head and thinking in his head. Screaming and shouting before you see him lose his temper.


The story line is about a stalker and an innocent girl and about their relationship as  father and daughter. Our opening doesn’t give too much away, we just wanted our opening to allow the audience to get an opinion of the main character, Harry.  We came up with the story line as a group and we agreed it did match the demands of a psychological thriller.

The opening we tried our best to bring across the genre being a psychological thriller. We believe we met the demands of it being a thriller with the non-diegetic music being creepy and the editing being at a fast pace. The psychological aspect we tried to bring through Harry. With the way he behaves and his actions and what he does to make the audience think constantly. This is why we believe we have met the demands of a psychological thriller.

Harry is the only character that is shown in the opening because film openings don’t give much away. He is shown being asleep next to the alarm clock to connote he has a structure which would give you the idea he is like any normal human being, waking up early to get to work but then you see him going to the bathroom taking drugs and then we hoped the audience would remember all the drink that was on the window steel. So we showed him in stages to make it easy for the audience to follow but with them also thinking about him as well having their own opinion when they see him wake up early but only to take drugs.

We chose against having special effects as we’re an independent company so produced our film on a low budget. So we didn’t have money to spend on special effects. Also film openings don’t tend to have like massive explosions that you need special effects for so it wasn’t really relative to our film.





Monday 30 April 2012

Jelly Bellies Activity

Within our group we composed a story board with jelly babies. The idea of the activity was that we had to put camera angles accordinly to which scene it suited best. This enabled us to have a better insight with regards to filming and transitions. It definitely developed our knowledge as to what camera angles and transition suit a genre. We learnt from this task what the actual point of a story board is because by completing the story board it gave us clear instructions as to what we thought was necessary. Therefore all we had to do with the cameras was to execute the camera angles to a standard that we thought worked well. The difficulties were trying to take the genre we had chosen (social realism) seriously considering we were using jelly babies in the story board that we had to think hard about what transitions, black outs and camera angles to use on them. Another difficulty was putting together all the ideas. Everyone had good ideas but theres only so much you can do to one scene before it becomes too much for the viewer to understand what is going on but these were soon solved when we all had an equal input to the overall story board.

Wednesday 21 March 2012

FIlm certifications Research

Film certificate classification


In order for a film to be classified as a U it would have to fit to the following expectations:

Discrimination
No discriminatory language or behaviour unless clearly disapproved of.
Drugs
No references to illegal drugs or drug misuse unless they are infrequent and innocuous, or there is a clear educational purpose or anti-drug message suitable for young children.
Horror
Scary sequences should be mild, brief and unlikely to cause undue anxiety to young children. The outcome should be reassuring.
Imitable behaviour
No potentially dangerous behaviour which young children are likely to copy. No emphasis on realistic or easily accessible weapons.
Language
Infrequent use only of very mild bad language.
Nudity
Occasional natural nudity, with no sexual context.
Sex
Mild sexual behaviour (for example, kissing) and references only (for example, to ‘making love’).
Theme
While problematic themes may be present, their treatment must be sensitive and appropriate for young children.
Violence
Mild violence only. Occasional mild threat or menace only.















  For a PG certificate classification.

Discrimination
Discriminatory language or behaviour is unlikely to be acceptable unless clearly disapproved of or in an educational or historical context.  Discrimination by a character with which children can readily identify is unlikely to be acceptable.
Drugs
References to illegal drugs or drug misuse must be innocuous or carry a suitable anti-drug message.
Horror
Frightening sequences should not be prolonged or intense. Fantasy settings may be a mitigating factor.
Imitable behaviour
No detail of potentially dangerous behaviour which young children are likely to copy. No glamorisation of realistic or easily accessible weapons.
Language
Mild bad language only.
Nudity
Natural nudity, with no sexual context.
Sex
Sexual activity may be implied, but should be discreet and infrequent. Mild sex references and innuendo only.
Theme
Where more serious issues are featured (for example, domestic violence) nothing in their treatment should condone unacceptable behaviour.
Violence
Moderate violence, without detail, may be allowed, if justified by its context (for example, history, comedy or fantasy).















   For a 12 and 12A classification. They’re exactly the same just 12A is used for cinemas and 12 is used on DVD’s

Discrimination
Discriminatory language or behaviour must not be endorsed by the work as a whole. Aggressive discriminatory language or behaviour is unlikely to be acceptable unless clearly condemned.
Drugs
Any misuse of drugs must be infrequent and should not be glamorised or give instructional detail.
Horror
Moderate physical and psychological threat may be permitted, provided disturbing sequences are not frequent or sustained.
Imitable behaviour
Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail which could be copied, or appear pain or harm free.  Easily accessible weapons should not be glamorised.
Language
Moderate language is allowed. The use of strong language (for example, ‘fuck’) must be infrequent.
Nudity
Nudity is allowed, but in a sexual context must be brief and discreet.
Sex
Sexual activity may be briefly and discreetly portrayed. Sex references should not go beyond what is suitable for young teenagers. Frequent crude references are unlikely to be acceptable.
Theme
Mature themes are acceptable, but their treatment must be suitable for young teenagers.
Violence
Moderate violence is allowed but should not dwell on detail. There should be no emphasis on injuries or blood, but occasional gory moments may be permitted if justified by the context. Sexual violence may only be implied or briefly and discreetly indicated, and must have a strong contextual justification.







 For a 15 certificated film it would have to follow the following guidelines:
Discrimination
The work as a whole must not endorse discriminatory language or behaviour.
Drugs
Drug taking may be shown but the film as a whole must not promote or encourage drug misuse. The misuse of easily accessible and highly dangerous substances (for example, aerosols or solvents) is unlikely to be acceptable.
Horror
Strong threat and menace are permitted unless sadistic or sexualised.
Imitable behaviour
Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail which could be copied. Easily accessible weapons should not be glamorised.
Language
There may be frequent use of strong language (for example, ‘fuck’). The strongest  terms (for example, ‘cunt’) may be acceptable if justified by the context. Aggressive or repeated use of the strongest language is unlikely to be acceptable.
Nudity
Nudity may be allowed in a sexual context but without strong detail. There are no constraints on nudity in a non-sexual or educational context.
Sex
Sexual activity may be portrayed without strong detail. There may be strong verbal references to sexual behaviour, but the strongest references are unlikely to be acceptable unless justified by context. Works whose primary purpose is sexual arousal or stimulation are unlikely to be acceptable.
Theme
No theme is prohibited, provided the treatment is appropriate for 15 year olds.
Violence
Violence may be strong but should not dwell on the infliction of pain or injury. The strongest gory images are unlikely to be acceptable. Strong sadistic or sexualised violence is also unlikely to be acceptable. There may be detailed verbal references to sexual violence but any portrayal of sexual violence must be discreet and have a strong contextual justification.










Suitable only for adults
No-one younger than 18 may see an ‘18’ film in a cinema.
No-one younger than 18 may rent or buy an ‘18’ rated video.
In line with the consistent findings of the BBFC’s public consultations and The Human Rights Act 1998, at ‘18’ the BBFC’s guideline concerns will not normally override the principle that adults should be free to choose their own entertainment. Exceptions are most likely in the following areas:
  • where the material is in breach of the criminal law, or has been created through the commission of a criminal offence
  • Where material or treatment appears to the BBFC to risk harm to individuals or, through their behaviour, to society – for example, any detailed portrayal of violent or dangerous acts, or of illegal drug use, which may cause harm to public health or morals. This may include portrayals of sexual or sexualised violence which might, for example, eroticise or endorse sexual assault
  • Where there are more explicit images of sexual activity which cannot be justified by context. Such images may be appropriate in ‘R18’ works, and in ‘sex works’ (see below) would normally be confined to that category.
In the case of video works (including video games), which may be more accessible to younger viewers, intervention may be more frequent than for cinema films.
Sex education at ‘18’
Where sex material genuinely seeks to inform and educate in matters such as human sexuality, safer sex and health, explicit images of sexual activity may be permitted.
Sex works at ‘18’
Sex works are works whose primary purpose is sexual arousal or stimulation. Sex works containing only material which may be simulated are generally passed ‘18’. Sex works containing clear images of real sex, strong fetish material, sexually explicit animated images, or other very strong sexual images will be confined to the ‘R18’ category. Material which is unacceptable in a sex work at ‘R18’ is also unacceptable in a sex work at ‘18’.











To be shown only in specially licensed cinemas, or supplied only in licensed sex shops, and to adults of not less than 18 years
The ‘R18’ category is a special and legally restricted classification primarily for explicit works of consenting sex or strong fetish material involving adults. Films may only be shown to adults in specially licensed cinemas, and video works may be supplied to adults only in licensed sex shops. ‘R18’ video works may not be supplied by mail order. The following content is not acceptable:
  • any material which is in breach of the criminal law, including material judged to be obscene under the current interpretation of the Obscene Publications Act 1959
  • material (including dialogue) likely to encourage an interest in sexually abusive activity (for example, paedophilia, incest or rape) which may include adults role-playing as non-adults
  • the portrayal of any sexual activity which involves lack of consent (whether real or simulated). Any form of physical restraint which prevents participants from indicating a withdrawal of consent
  • the infliction of pain or acts which may cause lasting physical harm, whether real or (in a sexual context) simulated. Some allowance may be made for moderate, non-abusive, consensual activity
  • penetration by any object associated with violence or likely to cause physical harm
  • any sexual threats, humiliation or abuse which does not form part of a clearly consenting role-playing game. Strong physical or verbal abuse, even if consensual, is unlikely to be acceptable.
These Guidelines will be applied to the same standard regardless of sexual orientation.

I was doing research on age certificates to see where our film will stand regarding what age is the most appropriate to show to because obviously we don’t want people of a younger age to see it. Not after learning about real previous experiences where children of a young age have been influenced by certain actions and behaviour.

I found this information on, http://www.bbfc.co.uk/classification/guidelines

Wednesday 7 March 2012

Student Films Research

What works well and what doesn’t work so well in a student film.
What works well?
1)      Good direction to make it seem as real as possible.
2)      Good actors
3)      Consistency throughout the film keeping it at a high standard. (no sudden change of weather where its been filmed on two different days in same location)
4)      Having a few ideas for every scene so you’re not narrowed down to just one thing so if you can’t get that particular thing perfect you can go to plan B which in some films plan B looks a lot better than their original idea.
5)      Simple and quality.
what doesn’t work so well?

1)      Last minute actors being used.
2)      Lack of direction by production team.
3)      Complicated and tackey. Quantity isn’t quality.
4)      Things looking as though theyre being rushed so or it feeling quite awkward watching it when its not meant to be.
5)      Films that have clearly not been planned and organised.


Looking at some student films its clear that the more work you put into it and the more thought you put into executing the film the better it will be because without planning you go with your first idea and its hard to elaborate from it and give reasons as to why you did things when you don’t know why you thought of that and how it is better than another idea you had. (easy marks dropped!)

Audience's Expectations

Reasons for finding out the Audiences expectations.
The main reason for finding out the audiences expectations is so we know exactly what we need to put in our film in order to get a larger audience. Because we’re doing our film independently we going to struggle to have a large audience so most probably have a niche audience and if we didn’t know what the audience wanted then we would struggle to have any audience.

Other reasons for asking for the audiences expectations are:

1) so we can question everything we do and ask ourselves, is that what they wanted? Otherwise everything would be so easy.
2) Give us a better understanding of how we’re going to go about producing our film and where with regards to location and which scene suits the needs best for the viewer.

3) When things are going to be overlooked we can justify as to why we did it or why we shouldn’t do it.

Film Opening Research

My sisters keeper
The opening sequence gives the audience an idea that the genre is drama. During the opening sequence there is a lot of family/childhood pictures which could mean something is going to upset the family The images created and shown are very dreamy and happy which could suggest that they are thoughts and happy memories of the past. The lighting is light with lots of warm colours to show the love in the family. There is a very quiet and calming music in the background to make it seem like everything is happy but the voice over reflects the drama as she narrates what bad things are happening to her family The location of the images shown are all of the family home which suggests that the drama relates to someone in the family and what happens to them Warm orange colours are used.

FIlm Opening Research

Atonement film opening analysis.Credits come on the screen in typewriting style with diegectic sound of the keys being pressed down as the letters appear on the screen. the title is also typed on the picture a letter at a time as though it is being typed at that same point with the diegectic sound of the type writer.

Title cuts to shot of elaborate dolls house which Signifies wealth to the audience. May also suggest youth and innocence, as it is obviously a child’s toy.
Camera tilts up from toy animals to show the rest of the bedroom and the main character. Room is decorated in a wealthy 1930’s style. Natural High-key lighting comes through window.

Differences between a trailer and a film opening

Difference between a trailer and a Film opening.
The difference between a movie trailer and a film opening is a movie trailer gives you the keys bits of the film without the details so it drags you into wanting to see it at the cinema or to buy it on DVD whereas with a film opening you don’t see any of the film or at least you won’t have a clue as to what is going to happen it gives nothing about the film away. You might see the setting and that’s about it.

On a movie trailer the film title is usually at the end whereas on a film opening its usually the second or third picture you see after the production company.

Titles are completely different. In a movie opening you’ll find in most films they’re in the same sort of order with regards to actors, production team, picture, lighting and music everything you can think of as to what played part in completing in film is in a certain order whereas in a movie trailer you’ll see the main people, so the actors and the production company.

The general idea of a Film opening is to drag you into the movie so you want to know what’s going to happen as you won’t have any idea whereas a movie trailer is trying to get you to see the film so make it look a lot better than it usually is by just showing the best parts of the film to get you to buy it or pay to see it.

Audience's Expectations

Audiences expectations on a psychological thriller.  (11-18 year old students)

Our group have come to a joint decision that we’re going to produce a psychological thriller. We don’t want to make it just on what we expect a psychological thriller would contain so im asking people at random what they would expect from a psychological thriller giving us a better understanding of how to go about producing it and also meeting the audiences expectations as “the audience have the greatest power”.

1) “You would expect that you would be questioning the film and what you think most of the time” – 15yr old girl.

2) “It would have to be scary and creepy, like so it gets your mind working from two directions where you’re thinking about it as well” –  12 year old boy.

3) “In order to make a good psychological thriller you would need it to be a mainstream film so you can get big actors names in it so it’s played well” -16 year old girl.
4) “you would think there would be some kind of crazy obsession or something” – 14 year old girl.

5) “I would want to fear something that turns out to be good, like so it changes” – 11 year old boy.

6) “Its always good to have tension in a psychological thriller seeing as it is tense in most thrillers but I really would want to question myself as to why it might be tense”- 16 year old girl.

7) “maybe something like the goody turns out to be the bady and the person you don’t  trust in the film turns out to be the goody” – 12 year old boy.

8) “creepy, crazy, mind blowing,  not so easy to follow so youre constantly question the story and just insane!” – 15 year old boy.

We had completely different views on what it should contain but all very helpful but because it was such a broad expectation list from the people chosen at complete random we’re only going to aim for about three and those three should cover most the other expectations.

Wednesday 25 January 2012

Film opening Research

Edward scissor Hands The music at the beginning of the film suggest that its a thriller, also given no imformation about the film away to ensure you cant have a lucky guess as to what happens. The only thing you could guess at is the possibility there might be a theme about snow? but other than that nothing is given away.

Titles and credits were shown with big actors names such as jonhny depp. so people know what to expect with the main characters.

Also you know its going to be a mainstream film as the production company are 20thcenturyFox therefore you know you will be getting in this film special effects and "no nonsense" with regards to camera angles and editing.

Film opening research

Superbad (comedy)



The reason you can tell its a film opening because it doesnt give away any of the story. it drags you into the film due to the digectic bouncy music, so you can tell the film has targeted older teenagers for their main audience. Also with the the four older boys dancing you; you want to see what they get up to hence the title "superbad". you can guess they're at college and doing something extreme.

The film opening doesnt give you any idea of what is going to happen in the film. So you cant guess as to what happens at all you have to watch more to get more of an idea. So viewers wont get bored and turn it off too soon.

You also see the production companies and titles within the film opening with characters names. so you see big actors names as it is a mainstream movie.